The Sport sits lower down the displacement chain, and is powered by a 100cc engine that makes 7.4PS of power and 8. Both motorcycles get fuel-efficiency centric engine tunes, with claimed economy figures of 86kmpl and 95kmpl for the StaR City+ and Sport respectively. The TVS Sport, on the other hand, will now be available in 9 paint shades – White Blue, White Red, White Green, Mercury Grey, Black Red, Black Green, Team Blue, Red and Black Silver.Source: BikeDekho.7Nm of torque, which comes mated with a four-speed manual gearbox.The TVS StaR City+ will now be available in 11 colours – Chocolate Gold, White Gold, Black Gold, Black Silver, Black Blue, Matte Grey, Titanium acrylic textile coatings Grey, Oscar Black, Show-Stopper Blue, Celebrity Scarlett and Spotlight White.

The bike is powered by a single-cylinder engine that makes 8.Priced between Rs 44,300 and Rs 49,459 (ex-showroom Delhi), the StaR City+ is one of the best-selling 110cc motorcycles in India.Indian two-wheeler maker, TVS, has just brought two new colour options for the StaR City+ and the Sport.8Nm of torque. The company has introduced new colour options in an attempt to boost its sales during the upcoming festive season. Like the StaR City+, it too gets a four-speed gearbox and is priced between Rs 36,880 and Rs 46,074 (ex-showroom, Delhi).com. The StaR City+ gets a new 'Spotlight White' shade, while the TVS Sport will now be available with an option of 'Black Silver' colour.The new shades have been introduced to attract more customers in the upcoming festive season.

Megosztás a facebookon

A decade ago, two chortens — Buddhist shrines believed to protect communities from misfortune — in the village of Ghemi were close to China decorative paint emulsion Suppliers collapse."These murals are irreplaceable."The shrine was already in such bad shape, the children had no idea that it was special and deserved respect," said Raju Bista, treasurer of the local non-profit Lo Gyalpo Jigme Foundation.The murals will then be cleaned and retouched, a practice frowned on by some western conservationists.Other monuments fared less well.The earthquake weakened many medieval structures in Upper Mustang’s walled capital of Lo Manthang, including the monastery and the former king’s five-storey palace.

The quake caused layers of plaster to separate and crack into pieces at the Jampa Lhakhang, where shards of 500-year-old frescos still litter the floors."The rich cultural heritage here is irreplaceable and the monuments are made of mud, of paint, of wood and can easily fade away and frankly be gone forever," said US ambassador to Nepal, Alaina B."I think that would be a loss for the people of Nepal but (also) for the world at large," she said.The proposed restoration work will shore up the structure by injecting plaster and glue into the walls and will be overseen by the American Himalayan Foundation, which has worked in the region since 1998.Tsewang Jigme is among the artists toiling to safeguard the unique cultural heritage of this former Buddhist kingdom high on the Tibetan plateau, which escaped the ravages of the Cultural Revolution in neighbouring China.The region’s Lo Gekar monastery was established by the founder of Tibetan Buddhism and predates the oldest temple complex built in Tibet, which was severely damaged in the 1960s during the Cultural Revolution.Upper Mustang only opened to outsiders in 1992 and its murals, scriptures and cave paintings provide a rare window into early Buddhism.

It is a painstaking process that involves grinding gemstones like lapis lazuli and malachite into a fine powder that is mixed with water and animal glue to create pigments. Teplitz.The local Loba community, however, believe it is better to pray to undamaged images of the Buddha, and see it as their duty to keep them in good repair..But wind and rain eroded the mud walls of monuments and rotted wooden ceiling beams, while smoke from ceremonial butter lamps turned luminous frescos black.In 2008, the foundation, which is headed by the former king of Upper Mustang, received nearly $23,000 in US government funding to restore monuments, including Ghemi’s chortens.When a massive earthquake struck Nepal in April 2015, killing nearly 9,000 nationwide and destroying around half a million homes, Ghemi was unscathed, prompting devout villagers to say that the restored shrines had protected them.. Jampa Lhakhang, a 15th-century monastery famous for having the world’s largest collection of mandalas (Buddhist cosmic designs) painted on its walls, was severely damaged.Deep in the heart of a medieval monastery in Nepal’s remote Upper Mustang region, the battle to restore sacred murals and preserve traditional Tibetan Buddhist culture is in full swing.The two-year-long restoration involved more than 100 workers and craftsmen, who cleaned the monuments, rebuilt the walls, replaced rotting timber beams and repaired the carvings. I feel nervous every time I touch them, I know I need to work very carefully so as not to do any harm to them," the 32-year-old painter told AFP.That means artists like Jigme, who has spent years working to preserve Upper Mustang’s murals, play a critical role.One was in such a poor state that children were using it as a playground and had broken interior painted slate panels.It also ruptured the main drainage system, allowing water to penetrate monastery walls and raising the risk of mould.

Megosztás a facebookon

According to consulting and services organization HVS, the Indian hospitality sector is surging with key drivers of growth in place, especially with the implementation of pro-tourism initiatives by the government, such as visa-on-arrival to drive inbo-und travel in the country.Domestic travel grew by 9.6 per cent.. Between 2015 and 2019, domestic and inbound travels projected an average annual growth of 9."The growth in occupancy does paint an optimistic picture and the recovery has been subtle, yet evident.4 per cent respectively.One of the new trends seen in the hospitality industry, he said, is an increase in the number of vacations being taken and short weekend vacations.

In an attempt to tap the growing demand, he said AccorHotels India is planning to have a network of 45 hotels by the end of this year and 80 hotels by 2020.In a sign that hints at the revival of discretionary spending and improved economic activity in the country, hotel occupancy has surpassed 60 per cent for the first time in four years in 2014-15 owing to growth in domestic tourist arrivals, and Decorative acrylic paint emulsion improvements in the economy and supply lag. Further, according to World Travel & Tourism Council, the contribution of travel and tourism to GDP is expected to continue to grow, which in turn is projects a positive outlook for the sector," said Jean-Michel Casse, senior vice-president, operations, AccorHotels India.7 per cent and 8.7 per cent in 2015, while expenditure increased by 7. "Apart from our brands like Novotel, we will also be increasing the presence of Mercure, our midscale brand," Mr Cassé told this newspaper, after inaugurating second Mercure ho-tel in Hyderabad recently. This growth has been organic as a result of the equally paced increase in supply and demand.

Megosztás a facebookon

"The two-person show also features artist Indrapramit Roy’s work titled "Mezzaterra", wherein he is trying to find definitive answers to every question and accepting certain answers over others do not foreclose the possibility of contestation, the existence of other answers. It also hides the muck that lies beneath its roots and leaves; the pretty purple flowers act as the perfect decoy. With these delicate watercolours, Sebastian voices his concern for our fragile ecosystem in a lyrical, poetic language. "In this exhibition, Decorative acrylic paint emulsion Sebastian not only questions the socio-political conditions of the country, especially Kerala, but also talks about present condition of water-bodies."In one of his works, he showcases the water hyacinth, a beautiful but deadly plant and compares it with beauty of life. The exhibition also includes a video installation by the artist. His work emerges from landscape visuals and its various derivations. Kochi-born artist Sebastian Varghese explores the same ideology in his recent exhibition "Water Variations". In the work featuring water hyacinth, on closer inspection one could see various computer parts and other waste material polluting the water. It saps the life out of any water body, rendering it dry and defunct.

After years of socio-political and cultural transformations, the organic and architectural skin of the land has been layered with numerous stories. The works focus on how most of the water-bodies are polluted and are affection ecology adversely."The stillness and the ripples captured in the video-installation also compel the audience to have a dialogue with the works.. One could see the artist moving towards abstract art in his works ‘Water Variation 2’ and ‘Water Variation 3’. When the light waves are reflected on to the ontological reality, it creates an ethereal world. The watercolour painting on display captures the underlying tensions of the socio-political conditions in Kerala. She says, "All of his paintings have an underlying story that may be discovered by a closer inspection of the works. Land goes through tremendous changes. "Watercolours have always been valued below oil-on-canvas works because oil gives the canvas longevity, but at the same time, one must remember that watercolour is a difficult medium to work in," shares Tunty and adds, "In the recent past, watercolours have re-emerged as an exciting alternative to oil paint and many artists are revisiting it too. Presence of water is a visual treat and its complex forms can be contemplative portals to our mind as well.

The still calmness and the picturesque serenity of the landscape are the first things you will notice in his works. an interview Sebastian stated, "I have always loved the ability of watercolour to seduce the eye.There is a Latin proverb, "Still water runs deep"."Another striking aspect of the show is the focus on watercolours. In this instance I have worked with rice paper and mounted it on canvas, so it lends the work a double-edged delight. The beauty of his works is that it sends a new message every time you have a closer inspection."She continues, "Each individual interacts with a water body on a daily basis. But he talks about the undercurrents with such ease that the viewers are compelled to see beyond beauty, shares gallerist Tunty Chauhan of Gallery Threshold.

Megosztás a facebookon